Acrylic

Golden - Mix More Media

 

 Paint, Print, Photography,

Digital, Handmade or Reproduced…

 

As experiments in innovation and creativity expand, the versatility of acrylics is at the forefront. To assist artists in this arena, GOLDEN introduces...

3 Digital Grounds

2 UV Protective Gel Topcoats 

These products literally free digital images from the confines of prepared, commercial print media and allow you to print on different textures other than paper. Using a standard home desktop ink-jet printer, the virtual brushstrokes of programs such as Photoshop® can finally take on weight and enter the rich material world of acrylic gels, mediums and colors.

 

GOLDEN Digital Grounds

GOLDEN Digital Grounds turn just about any relatively flat surface into an ink-jet printable surface, providing the control and freedom to create textures and surfaces at whatever scale and shape desired.

 

On non-porous materials like acetate, plastic and metal, the inks readily pool up, run, and are easily smeared by both the printer mechanism and subsequent handling. In order to combat these problems and achieve the desired richness of color and detail, each droplet of ink somehow needs to be kept distinct and held in place by the substrate.

This is the major function and benefit of applying an ink-jet receptive coating. GOLDEN’s three Digital Grounds not only have the potential to extend the languages of printmaking, photography and painting in significant ways, but they liberate digital imagery from the flatland prison of pre-coated papers and canvases.

 

 



 

Digital Ground White (Matte) is a porous, opaque, white ground for use on a multitude of surfaces. As a porous ink-jet coating, it allows prints to dry extremely rapidly, making it an ideal starting point for the first-time user looking for the most trouble free application on a wide range of materials.

 

 

Digital Ground Clear (Gloss) is a clear ground with a gloss sheen for use on most absorbent surfaces, allowing the underlying material to show through. The nature of this type of ink-jet receptive coating, means that prints dry more slowly.

Digital Ground for Non-Porous Surfaces is similar to the Clear described above but optimized for increased adhesion and performance on non-porous surfaces such as aluminum or plastic.

 

GOLDEN Gel Topcoats w/UVLS

 

Gel Topcoats w/UVLS are available in both Gloss and Semi-Gloss sheens. With the benefit of ultraviolet light filters and stabilizers, these gels provide a non-removable, water-based topcoat offering protection against fading for digital media, collage, or any material below the topcoat. In addition, these gels can be used to add texture, create a clear barrier prior to working with paint or other materials and modify sheen.

When used as a final layer, these gels should greatly increase the longevity and lightfastness of whatever digital media you are working with.

While initially developed as a topcoat for digital prints, GOLDEN Gel Topcoats are fully compatible with other GOLDEN Gels, Mediums, and Acrylic Colors and therefore, can be used whenever their attributes are needed. For example, they can be used to create gel skins, image gel transfers, decoupage collage elements, extend paints or increase their transparency, create a wet layer to work into, or simply as a clear ground to work on top of.

 

 

NOTE: When working with any of the new GOLDEN Digital Grounds damage to your printer is a possibility, especially as one begins to explore or push boundaries. Because of that, use of older, less valuable printers can sometimes be a good way to initally experiment and learn about these products. If using a higher-end printer, or one still under warranty, realize that modifying your printer in any way, or using materials not approved by the manufacturer, will usually void that coverage. Artyfect and/or Golden cannot accept any liability for damages.

How to Clean a Paint Palette

As much as you may try to keep your palette clean, it's easy to forget and end up with a palette covered in rock hard dried oil paints.

Dried oil paint is never easy to clean, but with some turpentine and a razor blade you can get it back to a usable state again.

 

Step 1

Student Sketch Books

GALERIA Acrylic Colour

Range Introduction

Galeria Acrylic Colour is a high quality acrylic which delivers professional results and is ideal for artists who want good quality colour at an affordable price.

All of the 60 colours in the Galeria Acrylic range offer a wide spectrum of pigment characteristics to choose from as well as excellent brilliance of colour, high levels of pigment strength, opacity & permanence, strong brush stroke retention, clean colour and a smooth, satin finish.

 

Size availablity

Galeria also offers a balanced spectrum of 60 colours across two Series.  There is a broad choice of pack sizes, making it ideal for small and large scale art work:

Daler-Rowney System 3D Acrylic

 

               

Revolutionary ultra thick acrylic colours with an oil-like heavy, buttery consistency  that dry with an oil-like gloss. High pigment load, fully dry within 24 hours (depending on thickness), water resistant and suitable for outdoor use. Excellent peak retention properties.

What Surface Should I use with Acrylic?

What is the best surface on which to use oil and acrylic paints?
The best suited surfaces for oil and acrylic are prepared boards and surfaces. Acrylic is more forgiving in that most non-oily surfaces will take acrylic paint. Oils paints must be painted onto prepared/ gesso primed surfaces. This allows for proper adhesion to the surface.

 

Canvas or Canvas Board?

 

Golden Mediums

 

Gel mediums offer artists many ways to build texture. They range in consistency from pourable to moldable with varying degrees of sheen and transparency.

Use them to create glazes, extend paints, build texture and alter finishes. They are also excellent glues for collage and multi media artwork

White Gels have a milky appearance in their wet state they are completely clear when dry. To add colour to Gel mediums simply mix with Heavybody or Fluid colours, or overpaint the Gel when dry. All of the Gels and Pastes are intermixable.

 

 

Starting Out With Atelier Interactive Artists' Acrylic

Starting Out

Acrylic artists have never before had the opportunity to blend and adjust their paintings wet-in-wet within a time frame they can control, but this advantage involves new processes that need to be learned and followed.

 

One of the attractions of acrylics has always been speed. Therefore, it is important that in extending working time the ability to do things quickly is not lost, particularly for artists who have developed successful techniques for overcoming the problems of fast drying paints. Otherwise in choosing Interactive you would burden yourself with new, slow processes to learn and lose the techniques you have already mastered to your satisfaction.

 

Balance

Interactive moves the balancing point which controls drying.

 

Extended wet-in-wet painting is now possible. However when you want your painting to dry quickly to allow fast layering techniques, use Fast Medium Fixer.

 

NEW Winsor & Newton Artists' Acrylic Colour

 

Brilliance can be defined as the richness, intensity and depth of the colour. Our research showed that this is the most important characteristic to an acrylic artist. Consequently, in the development of Artists' Acrylics, we have used our world-beating colour making experience to ensure an unrivalled brilliance and depth of colour in the range.

Brilliance does not mean the colours are garish. It is about clarity and purity of colour and this should be evident when the colour is applied straight from the tube as well as in the thinnest of films. Even the earths, blacks and whites should be clean and not dull.

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